Home
/
RELIGION & LIBERTY ONLINE
/
The Anarchists Is a Case Study in the Decadence of Autonomy
The Anarchists Is a Case Study in the Decadence of Autonomy
Apr 12, 2026 11:23 PM

A new HBO Max series takes a look at the tragic implosion of munity of self-described anarchists who “escaped” statist America for freedom in Mexico. Tragedy ensues.

Read More…

I have a reasonably high tolerance for fortable television and movies, maybe a higher tolerance than I should, but the first thing I would say about the HBO Max seriesThe Anarchistsis that it is not for the faint of heart. In this case, though, the tough stomach required is not due to excessive violence, cringey sexual content, or mon factors in objectionable material. The series is tough to watch because it directly touches on elements of human depravity that are unpleasant to engage. It shines a light on a certain darkness that can creep over the human soul that is more than I bargained for when deciding to watch the documentary. And yet, out of the very depressing reality that the series covers, a lesson is to be discovered of profound importance for the intellectually curious and morally rooted.

The Anarchists is a look behind the scenes at a group of American-born anarchists who took refuge together in Acapulco, Mexico, leaving behind their careers and domestic roots for a mitted to autonomy. Eventually, select members of these anarchistic refugees start an annual conference called Anarchapulco. The documentary covers the rise and fall of the conference, dovetailed with the rise and fall of munity. The gripping drama that is both tangential to and at the root of this group’s implosion is the murder of a drug-dealing fugitive member of munity, and the eventual suicide of the PTSD-suffering veteran widely believed to have plicit in the murder.

The tensions are heightened by the sensational real-life drama that defined munity—murder, drugs, inordinate alcohol consumption, scandal, fraud, corruption, violence, lawbreaking, and all the rest. Yet the filmmakers include some modest level of the philosophy of anarchism to seep through as well, allowing the leaders of the movement to state their case for a society disconnected from rules, norms, and institutions.

The filming of this sect could ideally have led to a provocative documentary on an iconoclastic group of intellectually eccentric adults. Perhaps the filmmakers (and the subjects of the documentary themselves) could have crafted a series that evaluated the pros and cons of anarcho-capitalistic thinking, countercultural philosophy, and the capacity for human autonomy unhindered by the laws of nature and the laws of men. But alas, like the philosophy of anarchism itself, such a documentary was doomed from the beginning, assured only of ending in the chaos and despair this series had to highlight. Missing from the Acapulco anarchy movement was a framework for liberty rooted in morality and ordered love. Ultimately, what was palpably present in the Acapulco anarchy movement was the fate of all human autonomy untethered from the law of God and awareness of the basic human condition.

Those of us who value the concept of liberty are wise to consider the bondage that futile human efforts at liberty paradoxically create when said liberty is uprooted from the soil of morality, love, character, and biblical wisdom that must sustain it. And that is what The Anarchists is really about—bondage, not liberty. The bondage of an intelligent young woman destined to a life as a fugitive, all because of her pursuit of what she foolishly called liberty. The bondage of a well-intentioned mother who, along with her three children, watched her husband drink himself to death (literally), only to e abandoned to economic despair and isolation in the aftermath of broken dreams and misguided aspirations. The bondage of a virtual cult leader—for the record, entrepreneur Jeff Berwick—driving the whole operation, corrupted by his own greed and substance abuse, functioning with no pass or regard for neighbor. Every single character in this series es a tragic figure, and essentially all for the exact same reasons.

One of munity’s members states with deep regret near the end of the final episode:

When we give into negative urges, when we act like wild and crazy people, we’re putting up this persona that we’re a bunch of high school kids with no consequences. When I see these people fail, they make statism look like a better alternative.

This ought to be the takeaway of the series for those of us who loathe statism yet find anarchy a godless non sequitur to the problem of excessive government. Our cause can never be a free societyfor the mere sake of a free society,but rather a free societyfor the enlightened cause of human flourishing. The anarchy movement, covered fairly and thoroughly in this series, is a case study in our God-created need for authority, munity, freedom, and responsibility. The grift, abuse, violence, and darkness that took root in munity came about for the simple reason that their freedom tree was planted in that very depleted soil.

Another despondent anarchist notes at the series’ conclusion:

If you take away fort, our food, all that kind of stuff, we’re animals. We’ll do the worst things to each other. We have to see the animal side of ourselves before we advocate for the responsibility of freedom.

The responsibility of freedom is a glorious thing, and it is fundamentally irreconcilable with some romantic notion of “autonomy.” Freedom can never flourish as “every man doing what is right in his own eyes”—and in fairness to munity at the heart of this series, murder, drugs, and debauchery should be the expected result inanyforum celebrating autonomy.

Man was created with dignity to be free, but with a nod to his eternal destiny. Our freedom and eternal destiny are inseparable from law, from order, munity, and from civility. It is easy to watch a series like this and suspect the modern anarchy movement guilty of a flawed or miscalculated sociology. But I am sad to say, sadder after watching this series, that it is not a particular sociology that is at the root of this tragedy. That could conceivably be re-engineered. Rather, it is a moral pathology that hated a loving Lawgiver who alone holds the key to our escape from bondage.

Comments
Welcome to mreligion comments! Please keep conversations courteous and on-topic. To fosterproductive and respectful conversations, you may see comments from our Community Managers.
Sign up to post
Sort by
Show More Comments
RELIGION & LIBERTY ONLINE
A Cultural Case for Capitalism: 9 of 12 — Berry vs. Salatin
[Part 1 is here.] Jonah Goldberg’s Liberal Fascism: The Secret History of the American Left, From Mussolini to the Politics of Meaning, details how the growth of government-corporate cronyism during the past 120 or so years has been largely a phenomenon of the socialist left. Wendell Berry misses this crucial historical insight in his running critique of capitalism, and his missing it draws him into flatly inaccurate claims, as when he asserts that “the United States government’s agricultural policy, or...
Charitable Giving Increases, But Smaller Proportion Goes to Religious Groups
Despite the struggling-to-recover economy, charitable giving by Americans continues to rise. But a smaller proportion of this money is going to religious organizations. According to a newly released report by Giving USA, total estimated charitable giving in the U.S. rose 4.4 percent between 2012 and 2013, to $335.17 billion in contributions. The single largest contributor to the increase in total charitable giving was an increase of $9.69 billion in giving by individuals. In 2013, per capita giving by U.S. adults...
Radio Free Acton: Culture Care with Makoto Fujimura
Makoto Fujimura with his personal copy of The Four Holy Gospels at Acton University 2014 What does it mean for Christians to use our gifts to fulfill God’s purposes in cultural flourishing? Makoto Fujimura, internationally renowned artist, intellectual, and founder of the International Arts Movement, is well placed to address this question. In this edition of Radio Free Acton, Fujimura joins host Paul Edwards to discuss his art, his story of faith, and how a “culture care” mindset can change...
A Cultural Case for Capitalism: Part 10 of 12 — The Free Market that Wasn’t
[Part 1 is here.] Some might answer any defense of the free economy by pointing to the housing and financial crisis that came to a head in 2008, holding it up as proof positive the free economy is a wrecking ball swinging munities and leaving all manner of economic and cultural destruction in its wake. The financial crisis did enormous damage, but the major drivers of the crisis were a series of public policies that manipulated the market in pursuit...
A Cultural Case for Capitalism: Part 8 of 12 — Capitalism and Cronyism Confused
[Part 1 is here.] In his case against capitalism, Wendell Berry argues that the average person not only is anxious because he depends upon so many other people for his wellbeing (truckers, panies, etc.) but that he ought to be anxious. There’s a grain of truth here. We shouldn’t e helpless sheep without a clue what to do were the power to go down for a couple of days in January. But inter-dependency, far from a sign of cultural sickness,...
The Moral Value of Economic Growth
In 1820, America’s per capita e averaged $1,980, in today’s dollars. But by 2000, it had increased to $43,000. That economic growth has benefited the rich, of course. But it has also transformed the lives of the poor — and prevented many more from ing or staying poor. In this superb short video, the American Enterprise Institute briefly explains the moral value of economic growth. ...
Private Toilets – an Indian Woman’s Ticket to Safety
Like half a billion women and girls in India, two teenage cousins were forced to walk away from their homes in the Indian village of Katra in Uttar Pradesh to find a private place to defecate. It was during this time that the two girls were mercilessly attacked: raped and hanged from the mango trees that line the fields of their village. Perhaps the lives of these two young girls could have been protected through access to a toilet at...
World War I and the Break with History
Much of the art before World War I can be seen as moral in nature, says Bruce Edward Walker in this week’s Acton Commentary, while post-Armistice monly celebrates materialism if not outright hedonism: After the Great War, however, the genie was out of the bottle, leading to works meant only to shock, dismay or anger would-be censors and art consumers in general. These works lacked what Irish philosopher and statesman Edmund Burke were essential for a “moral imagination” of which...
The Disease of Self-Chosen Sacrifice
In our efforts to serve others and do good in the world, we humans have a remarkable tendency to fall short, no matter how carefully constructed or well intended our plans and designs may be. When failure occurs, economists are likely to point to some kind of knowledge problem, notingthat, for instance, Western Congregation X didn’t (and perhaps couldn’t)know or foresee that sending hundreds of free shoes to Developing Nation Y would put several local merchants out of business. To...
Regulators Brewing More Rules for Craft Beer Makers
It seems like nowadays everyone has a connection to someone who brews their own beer. Grand Rapids recently was named Beer City because of its lively microbrewery scene so this is especially true here. While this hobby can be very enjoyable and refreshing be aware that taking your hobby to the next step could be more difficult than you would imagine. Recent regulations have made it harder than ever for new craft beers to enter into the consumer market. Entrepreneurs...
Related Classification
Copyright 2023-2026 - www.mreligion.com All Rights Reserved